Alex Emslie

Finishing Editor

No 1 show for Netlix South Africa.

5 x 35’. Compelling true crime series investigating the murder of the South Africa football team captain. Working with a great team in South Africa, this complex production was a joy to be involved in, with the films exploring the social and cultural issues around the murder of a South African icon.

produced by Ten films for Netflix (exec Lucy Leveugle).

Writer/Director

2 x 38’ (S1, True Lies, The Happy Face Killer Part 1 & 2)

Top 5 show across English speaking territories - US/UK/Australia/Canada.

2 x 38’. Double episode of a new series for Netflix looking at iconic serial killers and the people who caught them. My episodes focused on the strange story of an Oregon couple who were convicted of a murder in 1990, only for the real killer to come forward 4 years later to claim responsibility.

produced by Raw TV (exec. Louise Norman, Tom Keeling) for Netflix.

Writer/Director/Producer

120’

Feature length documentary looking at the iconic murders of Nicole Brown Simpson and Ron Goldman from the viewpoint of Nicole and her family and friends.

Previously unseen archive, diaries and letters from Nicole bring her story to life, telling a well-known story from a completely new and shocking angle.

produced by Arrow Media (exec. Lucie Ridout) for Discovery + (exec. Lorna Thomas)

Editor

1 x 60’. Doc. 4 part series showcasing 4 of the finest boxers ever to have lived, from the late 70s through to the 80s. Directed by Mat Whitecross.

produced by Box to Box (exec. Paul Martin, James Gay-Rees) for Showtime

Writer/Director/Producer

120’

Feature length documentary about the little known serial killer Robert Hansen, who killed for 12 years in the wilderness of Alaska before finally being caught in 1983.

A compelling mixture of archive, actuality, interviews and a challenging drama shoot in Alaska brings his story to life.

produced by Arrow Media (exec. Sam Starbuck) for Discovery ID (exec. Jeannie Vink)

Editor

5 x 35’. Doc. High octane glimpse into the inner workings of Formula 1.

Worked across multiple episodes to bring the series home.

produced by Box to Box (execs Paul Martin, James Gay-Rees, Tom Keeling) for Netflix

Drama Director

4 x 60’. Vice’s first out of house production tells the high octane tales of real life bank robbers in their own words.

produced by Antenna Pictures (exec. Jago Lee) for Viceland

Writer/Director

2 x 60’. Drama docs. Heartbreaking true crime stories told through interviews and scripted drama, featuring audio recordings from the investigations themselves.

produced by Arrow Media (exec. Sam Starbuck) for Discovery ID (exec. Liz Massie)

Writer/Director/Editor

6 x 60’. Drama docs. Comic, tragic, and everything in between, a collection of animal home invasion stories. Interviews and scripted drama.

produced by Arrow Media (exec. Nick Metcalfe) for Animal Planet (exec. Lisa Lucas)

Editor

1 x 60’. Terrifying horror drama doc.

produced by Eleven Film (exec. Joel Wilson/Jamie Campbell) for Channel 4

https://www.channel4.com/programmes/true-horror/on-demand/62853-003

Preditor/Edit Producer

2 x 60’. Drama Docs.

produced by Arrow Media (exec. Sam Starbuck) for Discovery ID (exec. Tim Baney)

Editor

1 x 120’. Epic drama doc following the history of the Barbarian uprisings against the dominant Roman empire.

Produced by October Films (exec. Adam Bullmore) for History Channel

Writer/Director

2 x 60’. True crime scripted drama and interviews.

Telling the stories of women who had become the target of obsessive stalkers.

produced by October Films (exec. Alex Sutherland) for Discovery ID

Editor

3 x 60’. Drama docs.

produced by October Films (exec. Alex Sutherland) for Discovery ID (exec. Dianna Sperrazza)

2nd Unit Director/Editor

3 x 60’. Drama docs.

produced by October Films (exec. Alex Sutherland) for Discovery ID

Editor

1 x 60’. Discovery’s top rated science show.

produced by October Films for Discovery

Editor

81’. Comedy feature film. 2 brothers return to their hometown to claim their inheritance. But things don’t go quite to plan . . .

Dir: Alan Butterworth